Ek Ladki Ko Dekha Toh Aisa Laga (2019) Hindi Movie Review

KAPOOR & SONS [20-16 ] took an acute, no-sense strategy; nonetheless, it had been a tiny path within the film. And at DEDH ISHQIYA [2014], it merely touched upon the aspect in a very subtle way. In this aspect, EK LADKI KO DEKHA TOH AISA LAGA can be an equally crucial film as it centres around a homosexual character. In precisely the same period, it sports prominent celebrities and endorsed by a trusted manufacturing house. Therefore does EK LADKI KO DEKHA TOH AISA LAGA create decent use of this ability and work big moment? Or does this neglect in its infancy? Let us analyze.

Ek Ladki Ko Dekha Toh Aisa Laga (2019) Hindi

EK LADKI KO DEKHA TOH AISA LAGA may be the narrative of a girl planning to love but just isn’t permitted to result from social pressures. She completes her cooperation, and Balbir starts trying to find a suitable dress for her to wed. If she moves to Delhi to match with the enthusiast, Babloo follows her again. Sweety understands, and she runs off. She lands in a play auditorium where she bumps into drama manager Sahil Raza (Rajkummar Rao). Sweety ultimately ends upon watching the drama rehearsal and feedback, which the drama lacks spirit, as though the writer-director has never fallen in love. Sahil drops on her behalf that exact minute. Babloo nevertheless lands at the theatre, and Sahil helps her running away from him. He pretends to run an acting workshop, and he has helped in this assignment’ by the adorable Chatro (Juhi Chawla). Balbir is astonished and determines to locate the right game for Sweety instantly.

Meanwhile, the Sahil discovers from your house help in Chaudhury’s Kothi, Chaubey (Bridgend.), which Sweety’s family is aware of him, and Sahil will be here now be his girlfriend’ Sweety. Sahil’s happiness knows no boundaries because he supposes that Sweety enjoys him. On Beeji’s grand birthday celebration, Sahil matches Sweety privately and professes his love-affair. This is when Sweety admits to him that she does not love him that her love interest can be a lady. What happens next forms another film.

Gazal Dhaliwal and Shelly Chopra Dhar’s theory is innovative also creates a crucial comment, that will be praiseworthy. But only with a great message isn’t enough, and you can indeed find a couple of flaws which have to have already been taken good care of, even for a superior impact. Consequently, the picture’s impact is constrained. On the other hand, a couple of scenes have been well crafted.

Director Shelly Chopra Dhar sensitively manages the field of homosexuality. Nevertheless, the battles do not seem that extreme to a particular reason. The confrontation between Sweety (Sonam) and her family members has to have been extreme, which is as it’d have left a crushing impact. Additionally, the finale sounds a touch overly simplistic.

The narrative seems as Sweety and Sahil match from the auditorium and after the order in the subway train. The way Sahil decides to leave the drama in the center and socialize on Moga to locate Sweety is relatively hard to eat up. And that aspect continues through the duration of the film. A couple of scenes and there mercifully amuse, such as Balbir covertly visiting your kitchen and Balbir-Sahil’s first meeting. Even the intermission point might have been impactful, but it works to a degree. Post-interval, Sweety’s flashback is well worth seeing, and also a lot of unanswered questions get resolved. Again, Sahil’s decision to return Moga to help Sweety feels a little farfetched. The orgasm might have gone pretty wrong, a manhunter AAJA NACHLE [2007], but mercifully it generally does not. It will not cause a sense of goosebumps at precisely the same period, which it should possess.

Sonam K Ahuja provides excellent performance but does not impress much. She might have done a lot with this kind of the first part; however, she lets the ability move. Her operation isn’t just a failure but, at precisely the same period, much less memorable either. The movie centers on her behalf; however, it’s one other celebrity that takes the film. Anil Kapoor enjoys the show and his operation and leaves an enormous marker while its expectations cage the patriarch. He’s likely to put a grin in scenes where he’s vaguely cooking from the kitchen, so when he gets pounded by Juhi. Rajkummar Rao includes a little supportive part and can be fantastic, as always. In reality, he is so good this you wish he had a lengthier character. But he is let-down by the characterization. Juhi Chawla is quite adorable. Surprisingly, she still strives way too tough to be funny at the start pieces, but she is something different once she lands up in Moga. Her Google map landscape will certainly be appreciated! Abhishek Duhan performs with the unwanted part well. Madhumalti Kapoor is candy. Brijendra Kala is excellent, and increases lead from the scene where Rajkummar chases him. Seema Pahwa (Billo) provides a lovely and humorous operation. Akshay Oberoi (Raza) continues to be now wasted. Kanwaljit Singh (Sahil’s dad ) and Alka Kaushal (Sahil’s mommy ) are candy. And Regina Cassandra (Kuhu) is a significant part of the movie and moans with her positive behave. Though you wish her personality were awarded more screen time.

Rochak Kohli’s music is touching and subtle, although perhaps not of chartbuster variety. ‘House Party Song’ and also ‘good morning’ is groovy but are not memorable. Sanjay Wandrekar and also Atul Raninga’s background score is so good.

Hinman Dhamija and also Rangarajan Ramabadran’s cinematography is quite lovely and catches the locales and feelings nicely. Sheetal Sharma’s outfits are all glamorous. Ashish Suryavanshi’s editing is sudden at a few places.

Overall, EK LADKI KO DEKHA TOH AISA LAGA creates an essential comment on same-sex connections in India and can be adorned with some excellent performances. However, the story is very suitable to make almost any emotional impact. At the box office, its allure will probably be confined to niche metropolitan multiplex crowds.